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This is another demonstration of a dual-stereo multitrack recording mixed to Dolby 5.1 standards (Fl+Fr+C+LFE+Ls+Rs) with explanation of what's what. If you don't mind the download, I recommend this over my previous test, as there's no music in the background and I had more time to explain what's what.
Again, this uses Behringer Vocal Dynamic Microphones n n X-Pattern with 6-foot patch cables to a Tascam DR-70D multi-track, multi-channel recorder. There is no cast latency or delay of any kind between the channels, ths time, so recording went flawlessly and so shuld playback. This is a 5.1 Channel recording of two stereo tracks and a center + LFE track mixdown and edit of the front stereo track section to Channels 3+4. I hope you find it useful and like it.
Again, this is a field test, for use in deciding if a 5.1 Surround micrphone, such as the Holophone series, is good, or if you want to use monaural microphones scattered about a room to get a good cinematic or field recording for 5.1 Surround sound. The intent of this recording is for demonstration purposes of a dynamic microphone set-up scenario as 5.1 Multichannel system.
Anyway, sorry for the long-winded explanation and wall of text. Hope you like this, as it doesn't play in 5.1 here so you'll have to download it to hear it as suc, as 5.1 Audio.
Type
Wave (.wav)
Duration
6:19.367
File size
191.5 MB
Sample rate
44100.0 Hz
Bit depth
16 bit
Channels
6